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| Issue |
Title |
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| Vol 8, No 2-3 (2022) |
Typological Foundations of Objects / Subjects: Design-graphic in Communication Space |
Abstract
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Stanislav Mygal, Olha Borysenko, Ruslan Skrynkovskyy |
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| Vol 8, No 1 (2022) |
Impulses of Design of Ukraine in the Conditions of Progress and Socio-cultural Transformations of Project Culture of the XIX - the Beginning of the XXI Centuries |
Abstract
PDF (Українська)
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Stanislav Mygal, Olha Borysenko, Ruslan Skrynkovskyy |
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| Vol 4, No 8 (2018) |
“The Chants of the Divine Liturgy” by Porfiriy Demutskiy for the mixed choir: genre and style features |
Abstract
PDF (Русский)
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Marichka Marushchak |
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| Vol 3, No 5 (2017) |
The Romantic and the Intentional Forms of Art: Meta-historical Cut, Cultural Identification |
Abstract
PDF
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Oleksandr Opanasiuk |
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| Vol 3, No 2 (2017) |
Meta-historical Foundations of the Periodization of the World Musical Culture History |
Abstract
PDF
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Alexander Opanasiuk |
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| Vol 3, No 2 (2017) |
Pop Art Trends in Lady Gaga’s Creativity |
Abstract
PDF
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Marina Zaytseva |
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| Vol 3, No 1 (2017) |
Symphonic Cantata «In the Temple of Golden Dreams» by Arthur Lourie for Mixed Chorus a cappella (1919): Innovation in the Field of Musical Language |
Abstract
PDF
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Marina Zaytseva, Aleksey Chekmenev |
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| Vol 2, No 12 (2016) |
Artistic and Aesthetic Specifics of Using the Piano in the Acoustic Space of Joe Hisaishi Film Music |
Abstract
PDF
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Marina Zaytseva, Tatiana Titova |
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| Vol 2, No 11 (2016) |
The Phenomenon of Synesthesia in the European Musical Art of Romanticism |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 10 (2016) |
Oral Aesthetics and the Power of Symbols in the Plays of Derek Walcott and Bate Besong |
Abstract
PDF
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Emmanuel Nchia Yimbu |
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| Vol 2, No 10 (2016) |
Experiments in Area of Musical Sound in the Chamber and Instrumental Works by Rodion Shchedrin |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 10 (2016) |
Musical Creativity and the Subjective World of the Artist: the Context of Culture Creation |
Abstract
PDF
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Nataliia Morshchakova |
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| Vol 2, No 9 (2016) |
Features of Johannes Brahms’s Musical Thought |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 8 (2016) |
Ultrahromatizm as a Sound Meditation |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 7 (2016) |
Interpretation of the oratorio music "St. Matthew Passion" by the Metropolitan Hilarion (Alfeev) in Pavel Semenovich Lungin's film "The Conductor" |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 5 (2016) |
Back to the roots: features of ethnic instruments in Igor Matsiewski’s works |
Abstract
PDF
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Marina Zaytseva |
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| Vol 2, No 4 (2016) |
The experiments of composers of the Russian avant-garde epoch in the field of arts synthesis |
Abstract
PDF
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Marina Zaytseva |
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