Idyllic Chronotope in Taras Prohasko’s Novel “The UnSimple”
Abstract
The article focuses on the standard features of different idyllic chronotope associated with the unity of the folklore period. Emphasis is placed on the inseparability of human life from a particular place where ancestors lived and where descendants will live. In Taras Prohasko’s novel “The UnSimple”, great importance is attached to family traditions, according to which children at the age of fifteen were shown places related to family history. M. Bakhtin calls this feature the unity of place. This feature unites generations, blurs the time boundaries between the individual life of each person and different periods of the same life. The rhythmic cycle of time is demonstrated in the novel “The UnSimple” on the example of Sebastian and his Anna, who was the only possible woman in his life.
In Taras Prokhasko’s novel, the opinion is affirmed that the home for most people is an idyllic place, the basis of biography and the result of existence. It is a place where a person feels protected and confident.
The relationship between man and nature in work is shown idealized. Through an exaggerated image of floriculture, the author offers an alternative world in which a responsible, caring, careful attitude to the world around us prevails.
It is proved that in Taras Prohasko’s novel “The UnSimple”, the landscape is both a necessary and sufficient condition for a complete human life. It was found that the most important place in T. Prokhasko’s prose is given to the epic of family places, which are the basis of the idyllic chronotope.Keywords
Full Text:
PDF (Українська)References
Aheieva, V. (2011). Apolohiia modernu: obrys XX viku [Apology of Art Nouveau: the outline of the twentieth century]. Kyiv: Hrani-T (in Ukrainian)
[Агеєва, В. (2011). Апологія модерну: обрис ХХ віку. Київ: Грані-Т].
Bahtin, M. (1975). Voprosy literatury i estetiki. Issledovanija raznyh let [Literature and aesthetics. Studies of different years]. Moscow: Hudozhestvennaja literature (in Russian)
[Бахтин, М. (1975). Вопросы литературы и эстетики. Исследования разных лет. Москва: Художественная литература].
Bondar-Tereshchenko, I. (2003). Prosta metaistoriia “Neprostykh”: Pro «beletryzatsiiu mynuloho» v romani T. Prokhaska [A simple meta-history of "The Unsimly": On the "fiction of the past" in the novel by T. Prokhask]. Slovo i chas, 6, 58 – 60 (in Ukrainian)
[Бондар-Терещенко, І. (2003). Проста метаісторія «Непростих»: Про «белетризацію минулого» в романі Т. Прохаська. Слово і час, 6, 58 – 60].
Hrebeniuk, T. (2007). Khudozhnia kultura ukrainskoho postmodernizmu (na materiali suchasnoi prozy) [Artistic culture of Ukrainian postmodernism (based on modern prose)]. Zaporizhzhia: n. d. (in Ukrainian)
[Гребенюк, Т. (2007). Художня культура українського постмодернізму (на матеріалі сучасної прози). Запоріжжя: n. d.].
Hryshchenko, O. (2016). Landshaftni eksperymenty Tarasa Prokhaska: vid miniatiury do heokompleksu [Taras Prohaska's landscape experiments: from miniature to geocomplex]. Naukovyi visnyk MNU imeni V. O. Sukhomlynskoho. Filolohichni nauky (Literaturoznavstvo), 2(18), 90–95 (in Ukrainian)
[Грищенко, О. (2016). Ландшафтні експерименти Тараса Прохаська: від мініатюри до геокомплексу. Науковий вісник МНУ імені В. О. Сухомлинського. Філологічні науки (Літературознавство), 2(18), 90–95].
Hundorova, T. (2005). Pisliachornobylska biblioteka. Ukrainskyi literaturnyi postmodern [Post-Chernobyl Library. Ukrainian literary postmodern]. Kyiv: Krytyka (in Ukrainian)
[Гундорова, Т. (2005). Післячорнобильська бібліотека. Український літературний постмодерн. Київ: Критика].
Prokhasko, T. (2015). Neprosti [UnSimple]. Ivano-Frankivsk: Lileia-NV (in Ukrainian)
[Прохасько, Т. (2015). Непрості. Івано-Франківськ: Лілея-НВ].
[Харчук, Р. (2008). Сучасна українська проза: Постмодерний період. Київ : Академія].
Article Metrics
Metrics powered by PLOS ALM
Refbacks
- There are currently no refbacks.
Copyright (c) 2021 Svitlana Ryabykh

This work is licensed under a Creative Commons Attribution 4.0 International License.