Rational Beauty in Computational Aesthetics
Abstract
Given AI's growing importance, it has always been a hot topic in academic circles, with the main opposing views consisting of positive and negative sides. However, the debate on "unique human creativity," such as art, will be particularly heated. Some believe that AI will usher in a new art genre and a new way of creating, while others believe that AI's works of art will never be able to compete with those of humans. In this study, the artistic creation and evaluation of AI in computational aesthetics will be analyzed and discussed, but the discussion will not be limited to computational aesthetics alone. The creative creation analysis of AI can be traced back to the summit of beauty itself to express support for computational aesthetics and AI artistic creation.
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1. Arielli, E., & Manovich, L. (2022). AI-Aesthetics and the Anthropocentric Myth of Creativity. Retrieved from http://manovich.net/content/04-projects/117-ai-aesthetics-and-the-anthropocentric-myth-of-creativity/lm_ea_paper_for_nodes.pdf
2. Berlyne, D. E. (1972). Ends and means of experimental aesthetics. Canadian Journal of Psychology / Revue Canadienne de Psychologie, 26(4), 303–325. doi: 10.1037/h0082439
3. Birkhoff, G. D. (1933). Aesthetic Measure. N. d.: Harvard University Press.
4. Bo, Y., Yu, J., & Zhang, K. (2018). Computational aesthetics and applications. Visual Computing for Industry, Biomedicine, and Art, 1(1). doi: 10.1186/s42492-018-0006-1
5. Cetinic, E., & She, J. (2022). Understanding and Creating Art with AI: Review and Outlook. ACM Transactions on Multimedia Computing, Communications, and Applications, 18(2), 1–22. 10.1145/3475799
6. Coelho, H. S. (2021). The Rationality Of Beauty: Aesthetics And The Renaissance Of Teleology. Zygon®, 57(1), 46–59. doi: 10.1111/zygo.12737
7. Crawford, D. W. (1970). Reason-Giving in Kant’s Aesthetics. The Journal of Aesthetics and Art Criticism, 28(4), 505–510. doi: 10.2307/428490
8. Cupchik, G. C. (1986). A decade after Berlyne. Poetics, 15(4–6), 345–369. doi: 10.1016/0304-422x(86)90003-3
9. Fishwick, P., Diehl, S., Prophet, J., & Löwgren, J. (2005). Perspectives on Aesthetic Computing. Leonardo, 38(2), 133–141. doi: 10.1162/0024094053722372
10. Gips, J., & Stiny, G. (1975). An Investigation of Algorithmic Aesthetics. Leonardo, 8(3), 213–220. doi: 10.2307/1573240
11. Greenfield, G. (2005). On the Origins of the Term ‘Computational Aesthetics. Retrieved from https://diglib.eg.org/bitstream/handle/10.2312/COMPAESTH.COMPAESTH05.009-012/009-012.pdf?sequence=1
12. Hoenig, F. (2005). Defining Computational Aesthetics. Retrieved from http://diglib.eg.org/bitstream/handle/10.2312/COMPAESTH.COMPAESTH05.013-018/013-018.pdf?sequence=1&isAllowed=y
13. Hong, J.-W., & Curran, N. M. (2019). Artificial Intelligence, Artists, and Art. ACM Transactions on Multimedia Computing, Communications, and Applications, 15(2s), 1–16. doi: 10.1145/3326337
14. Machado, P., & Cardoso, A. (1998). Computing Aesthetics. Lecture Notes in Computer Science, 219–228. 10.1007/10692710_23
15. Nake, F. (2012). Information Aesthetics: An heroic experiment. Journal of Mathematics and the Arts, 6(2–3), 65–75. doi: 10.1080/17513472.2012.679458
16. Paetzhold, M. (2022, September 4). Will DALL-E the AI Artist Take My Job? Intelligencer. Retrieved from https://nymag.com/intelligencer/article/will-dall-e-ai-artist-take-my-job.html
17. Ramos, V. (2004). On the Implicit and on the Artificial. Retrieved from https://www.researchgate.net/publication/1957699_On_the_Implicit_and_on_the_Artificial_-_Morphogenesis_and_Emergent_Aesthetics_in_Autonomous_Collective_Systems
18. Rigau, J., Feixas, M., & Sbert, M. (2007). Conceptualizing Birkhoff’s Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity. Retrieved from http://diglib.eg.org/bitstream/handle/10.2312/COMPAESTH.COMPAESTH07.105-112/105-112.pdf?sequence=1&isAllowed=y
19. Scha, R., & Bod, R. (1993). Computationele Esthetica. Retrieved from https://www.remkoscha.nl/compestE.html
20. Staudek, T. (2003). Computer-Aided Aesthetic Evaluation of Visual Patterns. Retrieved from https://archive.bridgesmathart.org/2003/bridges2003-143.pdf
21. Team, E. (2018, October 30). Everypixel Launched an AI for Estimating the Attractiveness of Instagram Photos. Retrieved from https://medium.com/everypixel/ugc-photo-scoring-3d63ff2df16f
22. Zuckert, R. (2006). The Purposiveness of Form: A Reading of Kant's Aesthetic Formalism. Journal of the History of Philosophy 44(4), 599-622. doi: doi:10.1353/hph.2006.0075
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